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Celia Hempton. Getting rid of four small cup containers from her case, each marked by having a white label and containing thimbles

Celia Hempton. Getting rid of four small cup containers from her case, each marked by having a white label and containing thimbles

Galleria Lorcan O’Neill, Rome, Italy

Getting rid of four small cup containers from her case, each marked by having a white label and containing thimbles of ochre-coloured fluid, Celia Hempton presents me personally with very carefully blended scents being supposed to echo the fragrance of, well, a vagina. Fulfilling Hempton when it comes to very first time, there will be something strangely and instantly individual about it trade; in the many incongruous of settings, a busy cafГ©, we raise each container to my nose to have these subtly sweet aromas that remember the absolute most personal of corporeal moments.

Celia Hempton, Jo, 2014, oil on canvas, 25 x 30 cm. Courtesy: Galleria Lorcan O’Neill, Rome

The London-based artist’s current exhibition (on until 30th June 2014) is as intimate, presenting 13 canvases that depict close up views of both male and female genitalia. Each artwork has a striking, visual register and it is bathed in bright color. Lemon yellowish, pale red, turquoise blue and lime green create a mood of hot vibrancy. That is flesh at its most attractive; rendered with delicate brush strokes shining luminously with rainbow hues. Several of the canvases are set up upon back ground wall paintings; cool, hazy washes of patchwork color supplying a broader landscape when the nude figures perform.

There was a confident, if you don’t aggressive, overtone to the imagery, painted with candour and hung regarding the wall surface at attention degree. Each canvas is en en titled because of the title associated with the sitter – Eddie, Kamal, Justine, Caspar, Erasmus – evoking for the viewer something comparable to a portrait that is facial inverted. The musician creates each work from life, her models (frequently good friends) posing all night at any given time. She describes exactly exactly just how there clearly was an unequal vulnerability in this trade, her attention scrupulously examining and reproducing these personal components.

Celia Hempton, Ka...

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